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The 20th International Music Theory Conference

2020 November 18-20 

Online: http://tv.lmta.lt/ 
Participation on the ZOOM platform: https://liedm.zoom.us/j/6429557045?pwd=VTcyZVkxQ3ZDd0Ixa3dQVXV0dTBqdz09

PRINCIPLES OF MUSIC COMPOSING: PHENOMENON OF TELEOLOGY
The 20th International Music Theory Conference 


PROGRAMME

November 18

9:50 Opening of the conference

FIRST SESSION: Theoretical Aspects of Teleology 

Chair: Dr. Marius Baranauskas

10:00–11:00 KEYNOTE 
Miloš Zatkalik Musical Teleology between Newton, Prigogine and Deleuze (with Spinoza Becoming Musical)

11:00 Ramūnas Motiekaitis The Spectrum of Teleology: Irresponsibly Philosophical Consideration 

11:30 Roger Redgate Where are We Going and How do We Get There? Teleological Structures in New Music

12:00–12:30 Break

12:30 Jimmie LeBlanc Musical Form as a Complex of Virtual Problematic Fields and Processes of Actualization: Emergent Teleologies in Beethoven’s “Kreutzer” Sonata (1803) and LeBlanc’s The Wind Wrests My Words (2017) 

13:00 Edson Zampronha A Semiotic Approach to Explain Musical Teleology by Means of Musical Intelligibility 

13:30 Nico Schüler Orientation Processes and Perspectivism in Music Analysis

18:00 
CONCERT Unidentified Cycles of M. K. Čiurlionis 
Performed by students of Prof. Jurgis Karnavičius: Evelina Kuprytė, Kamilė Kaučikaitė, Karolina Tabero, Vincenzo De Martino, Bernardas Sokolovas, Lina Žutautaitė 
http://tv.lmta.lt/ 
https://youtu.be/NkIQGaWLCmM


November 19

SECOND SESSION: Teleological Projections in Contemporary Composing Practice 

Chair: Prof. dr. Rima Povilionienė

10:00 Arthur Kaptainis The Emancipation of Repetition: Transgressive Teleology in Four Classics of the 20th Century

10:30 Agata Krawczyk Differences and Similarities in the Approach to Teleology in Symphony No. 1 and Symhony No. 3 by Hanna Kulenty

11:00 Jonas Jurkūnas Case Study of Jonas Jurkūnas’s piece 100 Springtimes

11:30–12:00 Break

Chair: Dr. Andrius Maslekovas

12:00 Iryna Tukova New Sounds and Traditional Teleological Strategies in the works by Alla Zagaykevych and Anna Korsun

12:30 Svetlana Barkauskas Vytautas Barkauskas’s Quintet in a Teleological Aspect

13:00 Charris Efthimiou On the Ending of Hans Werner Henze´s Oratorio The Raft of the Medusa (1968)

19:00 
CONCERT. FLM PREMIERES 
Performers: Karolina Juodelytė (organ), Artūras Mikoliūnas (contrabassoon), Vytautas Oškinis (flute), Kristupas Gikas (flute). 
Compositions by: Rimantas Janeliauskas, Ramūnas Motiekaitis, Mykolas Natalevičius, Jonas Jurkūnas, Artūras Mikoliūnas, Marius Baranauskas. 
http://tv.lmta.lt/  
https://youtu.be/IjLk-Y20j0Q


November 20

THIRD SESSION: Teleological Alternatives beyond the Narrative 

Chair: Dr. Ramūnas Motiekaitis

10:00 Simas Sapiega Analytical Discourses and Influences of Spectral Music Composition Practices: Spectral Music and Plato’s Concept of Unity

10:30 Rima Povilionienė Composing with Microtones in 21st c. Lithuanian Music: From 12-TET Enrichment to Microdimensional Shaping

11:00 Rytis Mažulis Integral Principles of Microtonal and Polytemporal Organization of Sound Material in Nedum capillos (2018) for even voices by Rytis Mažulis

11:30 Vytautas Germanavičius Microtonal Peculiarities in Lithuanian Folk Songs as the Background for Scale Construction in Bloomy Ice for String Orchestra (2020) by Vytautas Germanavičius

12:00–12:30 Break

12:30 Thomas Metcalf Pixelation as a Teleological Strategy in Music Composition

13:00 Anastasiia Sharina Teleological Strategies: Aleatory Composition and Alternatives of its Performance (based on the example of Piano Sonata No. 3 AER by Vasyl Tsanko)

13:30 Martin Vishnick Decision Making in Improvised Music

14:00 DISCUSSIONS. CLOSING REMARKS

***

POSTERS:

Rimantas Janeliauskas Compositional Binary Profiles and Teleological Projects

Aistė Vaitkevičiūtė Hunter vs. Gatherer: Teleological Issues from a Gender-imbued Perspective